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FORGETTING MANHATTAN WITH
A HOME
AT THE 'CAPO'
Soheil Nasseri, 25-years-old, a well-known
pianist in New York, has chosen to live in Palermo
LA SICILIA - Pippo Ardini (June 11, 2004)
We heard
him in his European debut on May 4 at Teatro Massimo in a very highly
acclaimed concert in the Sala degli Stemmi where he presented a program
that included music of Martin Kennedy (a young English pianist and
composer), Liszt, Prokofiev, and Mendelssohn-Bartholdy. It was program
correspondent with others he has chosen to perform wherein the most
well-known pieces of the great romantic and late-romantic repertoire are
coupled with new works by contemporary composers.
We are talking about the
25-year-old Californian pianist Soheil Nasseri, one of the most productive
young soloists ever seen in New York, where he is busy with concerts as
well as promotion in support of young people-- both with very highly
acclaimed concerts in halls like Weill Recital Hall at Carnegie Hall and
Alice Tully Hall at Lincoln Center, as well as with ‘21st Century
Classical’ (the association founded by Nasseri in 2002 and which counts as
Vice President the producer Max Wilcox, the winner of no less than 17
Grammy Awards and famous for his long collaboration with Arthur
Rubinstein) with an artistic education program that centers around public
schools. His work promoting racial harmony by performing music of
composers from many varied backgrounds led UNESCO and the Virtue
Foundation to invite Soheil to perform on September 11, 2002 at the Grace
Rainey Rogers Auditorium of the Metropolitan Museum of Art.
For some time Soheil has made
Palermo his home, in the local neighborhood “Capo”, dividing his
residences between Palermo and the heart of Manhattan in New York. It is
a choice that has great social and cultural significance. “Palermo,”
explains Nasseri, “is the opposite of Manhattan. Here one finds history
and the roots of history. In Manhattan you can find work and realize
significant plans and ideas, but there isn’t the kind of history that
there is here, there aren’t historic buildings and monuments that can
compare with those here in Palermo. We are a young country and still have
a lot of problems to solve.
“I had dreamt of living in a city
like Palermo. I feel good here and hope to stay as long as possible. I‘d
add that if one decides to live in Italy, they should choose a historic
neighborhood, possibly one with an historic market, because at the market
one really ‘lives’ the history of the city and the population.”
Let’s talk about your music
education activities benefiting young people. How did you arrive at this
choice?
“Being myself young, I frequent
young people. When I started to perform in New York there were audiences
which consisted of only adults, because young people don’t have many
opportunities to get to know classical music. That’s what started my
program to promote classical music among young people, and today, at my
concerts, the situation is much better. I also play a lot of modern
music, like rap for example, as it’s a good way to introduce young people
to classical music, especially for those who are devoted to the rap genre
and lifestyle. Unfortunately, I can’t help but notice that in the United
States, also among the politicians, there are some who would like to put a
wall around certain segments of the population. I don’t like to
distinguish groups of people and races from each other, particularly
because we Americans are the fruit of many diverse populations, races, and
cultures. I am fiercely international.
Will you carry out the same
program for young people here in Palermo?
“Absolutely, yes!”
And as for the profession of
performer...
“I believe that the performer has
to respect the composer. Very important to me is the idea that we
performers must be the medium of communication from the composer to the
public, and we have the responsibility to perform without-- as many
celebrated pianists do-- being concerned with celebrating ourselves and
our virtuosity.”
Upcoming engagements in Sicily?
“I have a concert as soloist with
the Orchestra of Teatro Massimo of Palermo, with whom I’d like to give
even more concerts.”
Picture caption: Soheil Nasseri,
in a portrait by Karen Cunningham. The Californian pianist is very
well-known in New York, where he carries out an intense concert schedule.
But instead of remaining in New York where he has a home, he prefers to
come for extended amounts of time to Palermo, where he has chosen to live
in a popular local neighborhood, the “Capo”.
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